|
FRW 12-01 is a 2 way passive high powered full reflex system designed to provide exceptional club sound reinforcement and stage monitoring from a very compact versatile enclosure. It features a powerful 12'' low frequency driver and a 1'' HF compression driver it's multi angle enclosure is to be used in either its horizontal or vertical position. The enclosure ia provided with 8 metal suspension points for versatile mounting configurations. It is also provided with a top hat fitting for top hat fitting for tripod mounting or as a pole socket for mounting above BA sub woofers.
|
|
Model |
Blacka Acoustics FRW 12-01 |
|
Type |
Trapezoidal Vented High Powered Compact Two-way Passive |
|
Frequency Response |
65Hz - 18 KHz |
|
Rated Power |
390 W Normal 780W Continuous Program |
|
Sensitivity |
98.5 dB 1 Watt 1 Metre |
|
Maximum SPL |
120 Db Continuous 126 Db Peak |
|
Dispersion |
90 degree (H) 60 degree (V) |
|
Nominal Impedance |
8 Ohms |
|
Bass |
12'' 320mm |
|
Mid |
|
|
High Frequency |
exit compression driver 1” (25mm) |
|
Crossover |
1.8 KHz Passive |
|
Enclosure |
Multi Laminated Birch Ply |
|
Finish |
Textured Black Paint |
|
Grille |
Black perforated Steel |
|
Connector |
2 x neutrik NL4 |
|
Fittings |
1 X Top Hat Fitting 8 X M10 Suspension Points 1 x Cut Out Box Handle |
|
Dimensions |
W 55cm x H 34.5 cm x D 47 cm When horizontal |
|
Weight |
22kg |
 |
|
| Crown VZ5000 Amplifier |
|
|
The Macro-Tech VZ Series represents the latest breakthrough in Crown's unending quest to deliver the most power in the smallest package. The Macro-Tech 5002VZ packs an incredible 5,000 watts into little more than 5 inches of vertical rack space. Quite simply, that's more watts per-cubic-inch than any other amplifier.
|
| Allen & Heath GL3300 (32 mono / 8 group / 2 stereo) |
|
|
GL3000 is an 8 group live sound console, designed for use in front-of-house, monitoring or combined roles. Feedback from GL3000 users led to the creation of the GL3300.Dual functionality. GRP/Aux mode switches reverse aux master section with the group faders, giving up to 8 monitor sends with inserts on 100mm faders. Formats: 16, 24, 32 and 40 channels. 8 audio groups. Assignable from paired routing buttons and pan from channel. Groups 5-8 have XLR outputs, 1-4 are to the mix only. All have inserts. 8 auxiliary sends. Switchable pre/post fade in blocks: 1-4, 5-8. 12x2 matrix fed from groups, LR busses and stereo returns. 4 band EQ with separate sweep and cut/boost on mid bands. HPF @ 100Hz is switchable. Stereo channels. 16 channel versions had all mono channels.
|
| Drawmer DS202 Dual Compressors |
|
|
|
| DBX Driverack 480 - Management System |
|
|
The 480 includes 4 inputs and 8 outputs which can be tailored for any configuration. By including every form of processing necessary to drive the signal from the mixer to the power amps, such as pre-crossover EQ, notch filters, speaker delay, multiple crossovers, speaker compensation equalizer, driver alignment delay, and compression/limiting, the 480 is truly the only box you’ll need for any sound system application. Two real time analyzers can be run simultaneously with RTA source inputs capable of being remotely switched on the fly. The 480 is fully programmable from the front panel, with the 480R remote control, or through a computer via the GUI port.
|
| Yamaha SPX990 Multi Effects Units |
|
|
The latest 20-bit analog-to-digital and digital-to-analog conversion technology-sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are negligible. A true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors.
|
| BSS Opal Equalisers |
|
|
The modern generation of graphic eq's uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's.
|
| Drawmer DL221 Dual Gates |
|
|
|
| BSS AR-133 Active DI Box |
|
|
The unit is housed in a rugged aluminum extrusion case, with robust polyurethane end- cheeks, which give the AR-133 a very distinctive look. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout.The arched case allows cables to run back underneath the unit from the end for neat cable management. The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use.
|
| Microphone |
|
   |
Full Range of Shure & AKG Microphones |
| Cables |
|
 |
Multicore power, signal and speaker Cables |
